Pair of polychrome engravings, 18th century school, after works by Francesco Albani (1578-1660), depicting “Bathers surprised by satyrs” and “Actaeon metamorphosed into a stag”. Former collection of Madame Myria Lefedbvre. Palais des Beaux Arts sale, October 24, 1932. according to a label on the back. In an attractive gilded wood frame.

After Morris, Studios Idefix: Jack Dalton, Celluloid Proof, 1970s, in Good conditions. Designed 1970 to 1979 I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution

Jean Picart-le-Doux, Flying Horse, Hand-signed original lithograph, 1962.
Signed by the artist lower right.

Size: 50 x 33 cm
In excellent condition

This image is by Jean Picart-le-Doux (1902-1982), who was well known as an illustrator of editions de luxe and artist books as well as a tapestry designer of the Aubusson revival. Apollinaire (1880-1918) was a highly original poet whose visual imagery with surrealist juxtapositions inspired many artists to illustrate his work, the most popular being Alcools, first published with a frontispiece by Pablo Picasso (1881-1973) in 1913. A number of artists illustrated his Bestiaire. It is a collection of short poems, each representing the qualities of a particular animal. When first published, in 1911, it was illustrated with woodcuts by Raoul Dufy (1877-1953). I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution

After Morris, The Adventures of Lucky Luke: Beanie Character, Celluloid Proof, 1970s, in Good conditions. Designed 1970 to 1979 I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution

Salvador DALI ( 1904-1989) – “Don Quixote,” Rare Original Hand-Signed Etching, Artist proof, 1960’s.

Hand-signed in pencil by the artist lower right and inscribed EA(Artist Proof) lower left.
In its beautiful original wood and golden frame, certificate of authenticity on the back and coa issued by the gallery.

Size with frame: 38 x 31 cm
Size without frame: 35 x 27 cm

Hand-signed lower right and inscribed EA lower left, Artist Proof with two certificates of authenticity.
Verso a certification paper label with seal.
In excellent condition I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution

Roger BISSIÈRE (1886-1964)
Abstract composition, 1962.
Color engraving, hand-signed by the artist in pencil lower right and inscribed lower right “epreuve d’artiste” – artist’s proof.
Illustration for the work: Painted words, 1962 Paris, Editions O. Lazar-Vernet.
In its original wooden frame and certificate of authenticity(issued by gallery).
Size without frame :37 x 27 cm
Size with frame: 52 x 42 cm
In excellent condition. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution

Willi Baumeister

Stuttgart 1889 – 1955

Group with incised figures, 1943

Drypoint and roulette

signed and dated in pencil lower right

limited on the lower left 4/20

Depiction size: 16.4 x 20.8 cm

Frame: 32 x 37 cm

Rare, the edition was only 20 numbered and signed copies, printed in 1947

Spielmann catalog raisonné 155

Handmade model frame, museum glass

Authenticity confirmed in writing.

During his apprenticeship as a decorative painter, Willi Baumeister initially attended evening classes at the art academy in Stuttgart. from 1909-1912, he was a member of Adolf Hölzel’s composition class and had his first contact with the future Bauhaus painter Oskar Schlemmer, with whom he would form a lifelong friendship. In 1919/20, Baumeister created his first “wall paintings”, panels that were given a mural-like relief by adding sand and putty and designed with cubist forms. These paintings brought Baumeister his international artistic breakthrough. In 1928, the Städelschule in Frankfurt appointed the artist as head of the class for commercial art, typography and fabric printing. In 1930 Baumeister joined the “Cercle Carré” and in 1931 he became a member of the artists’ group “Abstraction-Création”. Ostracized as “degenerate” in the Third Reich, Baumeister was hardly able to appear in public as an artist. He therefore devoted himself to prehistoric and oriental studies, which provided the main motifs for his “Eidos” paintings and “Ideograms”. During the war, Baumeister wrote the book “Das Unbekannte in der Kunst” (The Unknown in Art), which was first published in 1947. In the post-war era, he resumed teaching at the Academy of Art in Stuttgart. Baumeister’s extensive oeuvre and his fundamental writings on art theory make him one of the most important German artists of modernism. His oeuvre, which is divided into many groups of works, was initially still rooted in figurative art, but then became increasingly abstract. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

An excellent full-color print after Abstract painting “On the Points” (1928) by Wassily Kandinsky. Printed on one side, most likely in Germany in 1980-1990s. Information regarding the original piece is printed on back on five languages. Excellent condition – minor edge wear, never framed.

Overall 11.9″W x 13.4″H
Image 10.25″W x 10.26″H

An excellent full-color print after Abstract painting “Composition VIII” (1923) by Wassily Kandinsky. Printed on one side, most likely in Germany in 1980-1990s. Information regarding the original piece is printed on back on five languages. Excellent condition – minor edge wear, never framed.

Overall 13.4″W x 11.9″H
Image 11.8″W x 8.3″H

An excellent full-color print after Abstract painting “Sky Blue” (1940) by Wassily Kandinsky. Printed on one side, most likely in Germany in 1980-1990s. Information regarding the original piece is printed on back on five languages. Excellent condition – minor edge wear, never framed.

Overall 11.9″W x 13.4″H
Image 8.6″W x 11.9″H